The crew at sunset outside the farmhouse in Maypearl, Texas

In post-productionAn SMU Summer Film Production

When theAzaleas Bloomed

A pilot comes home from the war to sell the family land.

Written and directed by Jake Willeford Shot in Maypearl, Texas Premiere planned May 2027

LatestOctober 2026

In the edit.

Cameras wrapped in June after sixteen days in North Texas. The team is cutting toward a first assembly of the whole film this fall, and a premiere in May 2027.

Follow it to the premiere

The story

He came home to sell the land.The past was still living on it.

LoglineWhen an emotionally detached World War II pilot returns home to see his dying father and sell the family land, he must confront the ghosts of his past and the woman he left behind.

It began as a short story. Jake Willeford wrote it in his freshman year at SMU for an English department contest, and won. It grew into a cycle he calls the Jack Lebeaux Stories, and then into this: the feature SMU’s film faculty chose for the program’s 2025 to 2027 production, with Jake pitching separately to direct it.

“This story is about legacy and generational trauma.”

Jake Willeford · Writer and director
A young man in a striped work shirt sits in tall grass
A frame from the edit · When the Azaleas Bloomed

FeatureRural Texas, the 1930s and 40sIn post-production

The look

Found in the archive.Furnished from home.

To build the 1930s and 40s, Jake went through thousands of photographs in the Library of Congress, made across rural America by government photographers for the Farm Security Administration. Many became direct sources for the film. Some he recreated as scenes. The archive is on the left. The film is on the right.

ArchiveArchive photograph: a farmer in a straw hat leans on his hoe in a cotton field
The filmFilm frame: an older farmer in a hat leans on a hoe against a blue sky
The fieldFrame from the edit
ArchiveArchive photograph: two young men tip back bottles under a low wooden ceiling
The filmOn set: a soldier tips back a bottle at the bar beside a farmer in overalls
The barOn set at Shady Lawn
ArchiveArchive photograph: couples dancing close in a crowded wooden dance hall
The filmFilm frame: a young pilot in uniform under strings of bare bulbs
The dance hallFrame from the edit
ArchiveArchive photograph: a woman at a dresser with a round mirror
The filmOn set: a bedroom reflected in a round dresser mirror between two lamps
The bedroomOn set
A hand holds an open brass pocket watch
Jack’s pocket watch · frame from the edit

Passed down

Real things.From a real family.

Jeanie’s music box and Jack’s pocket watch are both gifts from their mother, and the film turns on what one generation hands the next. Off screen it was literal. Much of the furniture and many of the props came from Jake’s mother’s and grandmother’s houses – things his great- and great-great-grandparents kept.

“Everything felt real because everything (for the most part) was real.”

Jake Willeford

The shoot

Sixteen days.No air conditioning.

Most of it was filmed in a century-old farmhouse in Maypearl with no air conditioning and no running water, through the heat and thunderstorms of a Texas summer, with more days in Mesquite and Waxahachie. Every department was run by SMU students and recent graduates, a crew of twenty to thirty.

16Shooting days
~50Shots in two days at Shady Lawn
3Towns in North Texas
A farmer in overalls walks a green field with a hoe on his shoulder
01The field
A soldier sits on his duffel bag behind a car with a 1934 Texas plate
02Texas plates, 1934
A young actor grins behind the slate
03The slate
The camera lined up on an actor in overalls in the parlor
04The parlor
The dining room at golden hour, a woman setting the table
05The dining room
An actress against a pink evening sky
06Magic hour
Three actors in overalls rest in the dirt beside the camera tripod
07Between takes
A costumer mends a blue dress on the floor
08Costumes
An actor in overalls beside the farmhouse at blue hour
09Blue hour
Couples in period dress on the dance floor at Shady Lawn under string lights

The hardest two days

Shady Lawn

About fifty shots over two shooting days, roughly eight hours of it: dance choreography, a full floor of cast and extras in period costume, a moving camera, and very little room or time to do any of it in.

Cast and crew

Everyone who made it.Find your name.

Cast, extras and crew together at Shady Lawn

Cast, extras and crew at Shady Lawn

Cast

  • Jack LebeauxDawson V. Jackson
  • Jeanie LebeauxBrinly Johnson
  • MamaTaylor Hoyt
  • PapaNick Gilley
  • Young JackHendricks Bell
  • Young JeanieChandler Raye
  • Abigail HesdinAriel Smith
  • Young AbigailHarper Barney
  • Mr. HesdinShayne Weems
  • Mrs. HesdinKami Miles
  • Billy ClaytonLiam Dietz
  • Wesley WatsonMatt Victory
  • Mr. HyattLou Chapman

Crew

  • Written and directed byJake Willeford
  • Executive producerCallum Morrow
  • ProducersBrianna Gapsiewicz
    Liz Ginkul
    Callum Morrow
    Jake Willeford
  • Associate producerAdam Carley
  • Director of photographyBrian Dashner
  • GafferCallan Reimann
  • 1st ACEdgar Palacios
  • 2nd ACSophia Alba
  • CastingSofia Raquel Kirk
  • 1st assistant directorAlma Roshan
  • 2nd assistant directorElizabeth Tudor
  • Key gripsCallum Morrow
    James Moore
  • Grips and PAsJames Moore
    Andrew Foster
    Daniel Salazar
    Hunter Odom
  • Production designGale Craven
    Jake Willeford
  • Additional production designShelly Willeford
    Sharon Johnson
    Mia Salinas
  • Set designersAndy Carter
    Lindsey Perry
    Liz Ginkul
    Jake Willeford
    Gale Craven
  • Construction and restorationSalcor Construction ServicesRoy and Elsa Salinas
  • SoundElly Gallo
  • Boom operatorXavier Cardenas
  • Costume designLiz Ginkul
    Jake Willeford
  • On-set costumingGale Craven
    Sofia Raquel Kirk
  • Intimacy and stunt coordinatorSofia Raquel Kirk
  • Behind the scenesNoah Hale
    Megan Wang

Updates

Where the film is now.This page moves with it. Check back.

  1. Freshman year

    A short story

    Jake writes it for an SMU English department contest, and wins.

  2. Fall 2025

    Proof of concept

    A test shoot to show the film’s look and help raise its budget, from grants and crowdfunding, matched by SMU’s film division.

  3. May 23, 2026

    Cameras roll

    Day one in Maypearl, in a farmhouse a century old.

  4. June 2026

    Picture wraps

    Sixteen shooting days across three towns. The footage goes to the edit.

  5. Fall 2026

    The assembly

    The first cut of the whole film, start to finish.

    Now
  6. May 2027

    The premiere

    Planned. The date and the place land on this page first.

While you wait

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Crossroads title card: three friends on red rocks above a lake

SMU summer featureShot 202277 min

Crossroads

When two strangers, Naomi and Chance, swap bodies, they must learn to accept their new circumstances. Directed by Piper Hadley.

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The crew in silhouette at dusk beside the farmhouse

Premiere planned May 2027

See you at the premiere.Until then, the news lands here first.

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When the Azaleas Bloomed is a Summer Film Production of SMU Meadows School of the Arts, made by students in the Division of Film and Media Arts. This page is hosted by PREVO.

Set photography by Callan Reimann and the production’s behind-the-scenes team. Archive photographs: Library of Congress, Prints & Photographs Division, FSA/OWI Collection.